Sunday, August 7
Traditionally humankind has sought the answer to Aristotle's question from the four wisdoms — philosophy, science, religion, art — taking insight from each to bolt together a livable meaning. But today who reads Hegel or Kant without an exam to pass? Science, once the great explicator, garbles life with complexity and perplexity. Who can listen without cynicism to economists, sociologists, politicians? Religion, for many, has become an empty ritual that masks hypocrisy. As our faith in traditional ideologies diminishes, we turn to the source we still believe in: the art of story.
— Robert McKee, Story
How could anyone except a melancholic criminal speak to us in the name of the good (King of New York; 1990)? Who but a paranoid cop could make us believe for a second in the virtues of forgiveness (Bad Lieutenant; 1992)? Who today could bear to listen to a moral lesson if it was not acted out by a drug-addicted, leprous vampire (The Addiction; 1995)? Who could interest us, even for a moment, in the tired old questions of the family unit or the individual? Who could continue to arouse in us a desperate faith in sacrifice and love, unless they were almost autistic, completely crazed, haunted figures within films that cultivate advanced arguments concerning the need to destroy all filmic forms?
— Nicole Brenez, Abel Ferrara